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Home Design Photos and Ideas

Jeff Waldman and Molly Fiffer built this 200-square-foot cabin on the site of their 10-acre property in the Santa Cruz Mountains. Their previous cabin, which they also built by hand, was destroyed in a forest fire in 2020.
Audi Culver and Ivy Siosi had never built a house before, but as the founders of Siosi, a decade-old furniture company known for its use of domestic, sustainably sourced hardwood and simple, Scandinavian-influenced forms, they were up for the challenge. A large parcel a few miles from downtown caught their eye, and when the owner split it into four smaller lots, they snapped one up.
Sugarhouse reworked the living room storage and reoriented the room to better occupy the available space. An Ellison Studio sofa, recovered in Dedar Patchwork Fabric, fits the whole family for movie nights. The coffee table is from Etsy and the rug is Nordic Knots. The overhead light is a vintage Poul Henningsen via 1st Dibs.
Sugarhouse Design & Architecture lightened up the entry hall, thanks to interior fluted glass panels, white oak floors with a contrasting walnut inlay, and custom oak closets that reach to the ceiling (after removing the fussy tray feature there). The bench is custom-designed by Sugarhouse and fabricated by Elwood Design Co in Orange, CA, and the ceiling light is by Modern Forms.
The common area was opened to create large, interconnected spaces.
“The granite pieces are sourced from Kanchanaburi, a province 1.6 hours west of Bangkok,” shares Suphasidh.
“Exposing the raw and unfinished forms of granite beings nature directly the [home], offering a tactile connection often absent in urban environments,” says Suphasidh on the stone elements.
The raw edges of the antique teak wood shelves bring an organic touch to the the living area.
Oak walls with integrated storage and clerestories supply sleekness for the hallway.
The entry hall culminates in integrated shelving with arches that echo the archways of the walls.
Natural light provides the kitchen with an ethereal quality.
"Some people want a manicured garden, but I'm of a different mindset," says Patnaik. She left the grounds untamed and organic. "If we're building in the wild, I want to live in the wild."
Though the views of the lush forest are the stars of the show here, Patnaik's art collection has a presence here too, including a diptych by Kokil Gupta that hangs above a low-slung grey sofa.
The red Up chair is a classic Italian design...  and a piece Patnaik bought before they'd even broken ground on this project. The pine ceiling adds some visual warmth to balance out the cool metal and tiles. (Patnaik originally had visions of doing the whole home in pine, but the damp climate would've made maintenance too challenging.)
A custom mural by Adrian Kay Wong was created with input from the homeowners, particularly Lauria. Its yellow tones are matched by Emu Living barstools in the foreground.
This added bathroom, just off the pool deck, was designed to be resilient to water, with Heath Ceramic tiles cladding both the walls and floors. The California Faucet fixtures come directly out of the wall, above a Duravit sink,  next to a Pottery Barn Windsor mirror and Quiet Town curtains.
The new den's rebuilt fireplace is clad with the same Heath Ceramics tile as the kitchen island. Avove it is a Christopher Wrobleski rope hanging. A vintage Hans Wegner chair with Maharam leather cushions was paired with a Lawson Fenning San Rafael Paolo coffee table.
The relocated kitchen includes Villa Lagoon concrete floor tiles, Heath Ceramics island tiles, Schoolhouse Electric pendant lights and Design Within Reach Valencia stools.
Los Angeles firm Chet Architecture crafts a deeply personal hillside home packed with primary colors—including a custom mural that now holds an even deeper meaning.
A stripe of tomato-colored paint (mixed from two shades of red) sets the energizing mood that Malak envisioned for the bedroom, which is made up of mostly Ikea and secondhand furniture. A wall of cabinetry to the right clears up the rest of the space for unobstructed movement.
The sliding doors that connect the bedroom with the living area are crucial to the flow of the space.
The main façade hides windows and doors within a same covering.
The façade unfolds to reveal the bedroom windows.
The studio’s second floor serves as a library. The sunken bathtub offers interrupted sightlines across the space and out into the backyard. The tub, like the library’s floor, is made of concrete.
The living room section of the ground level opens into this tiled patio, furnished with a long wooden table. In the background is a pool.
Every space, including the living and dining sections seen here, has “furniture, objects and artworks that bring us memories,” says Smud. The bench, coffee tables, and dining table are by the late Alejandro Sticotti.
A view of the front door, made of local lapacho. Above it, the second level is enveloped in wood cladding, whose deep brown tones are starting to fade and lighten. “We like that very much,” says Smud. “And the plants are growing and advancing over the wood.”
Architect Ana Smud’s residence in the Vicente López suburb of Buenos Aires is surrounded by gardens and wrapped in timber, concrete, and glass.
The grey tones on the wall are separated by a dark red smalto stripe. The faucet is from Officina Nicolazzi and the lights are Tooy.
The vaults were scraped free of paint to reveal vestiges of their original color, and the walls covered in limewash paint. A painting by Victor Payares hangs over the vintage 1970s Nuvolone couch from Rino Maturi for Mimo Padova, which has been reupholstered. The two chairs are Alky from Giancarlo Piretti, also from the 70s, and sit with a vintage B&B Italia coffee table.
Now, the blue bathroom is one of the homeowners' favorite spaces. "We love showering in our blue cabin,
The kitchen is tucked into a corner off the curved green wall with mirror-clad cabinetry, helping it almost disappear into the space. The island is on wheels and incorporates a hydraulic piston so that it can be moved and raised and lowered for different uses in the space.
A key intervention in the space was the addition of a curved wall just off the entrance. "We like doing curved things that are not sharply defined,
Designer Ismael Medina Manzano stretches the limits of an 861-square-foot flat in San Sebastián with mirrors, curves, and a kitchen island on wheels.
Ignacio wanted the walkway up to the house to offer an immediate connection with nature.
“Decoration is something that fascinates me,” says Carolina. “Mixing old with modern works very well for me, so I have my great-grandmother's bed, but the dining room has Philippe Starck chairs.”
Ignacio created a bridge to link the existing house with the new addition further downhill.
While the original house had a full glass facade, the addition uses windows in specific areas to draw your attention to the smaller details.
The architects used natural materials and colors in the kitchen to make the space feel serene, expansive, and connected to the outdoors.
Architects Mathilde Nicoulaud and Olivier Lekien recreated a 1930 compact house in Montreuil, France, on the outskirts of Paris as their ideal family home.
If color doesn't scare you in the slightest, go for broke!
An enormous bread oven was uncovered during the works, completely changing the vision for the new kitchen. As a result, the couple had to re-apply for planning permissions to incorporate it into the kitchen. The blue Verner Panton Flower Pot pendant lamp over the center island is a nod to the blue staircase and acts as a counterpoint to the earthy tones. “It’s one of my favorite purchases for the house,” says Simon.
The studio opens out to a large verandah, which features a six-foot-long vintage French trough sink. The creative couple use it for soaking willow prior to weaving and washing out cyanotype prints. “We had an epic search for the right sleepers for the verandah,” says Miriam. “Eventually, we found some Jarrah sleepers. Our daughter is called Jarrah and it’s an Australian timber, so it felt right.”
The new extension wraps around the existing home, creating a thoughtful dialogue between past and present, and opening the home up to the landscape and the constant song of running water. “We wanted to work sympathetically with the existing home and mill,” says homeowner Miriam Nabarro.
The extension wraps around the brick walls of the original home. It features large glazed doors that slide open to the verandah for seamless indoor-outdoor living when the weather allows. The dining table has been in Miriam's family for several generations, and is paired with some “very battered” midcentury Magistretti chairs.
"The kids love playing and singing and I have this principle that if things aren't visible or easy to get, you won't use them. For them to play, their toys need to be visible, or if we want to cook, the food has to be visible."
"I believe that if there’s a place for everything then nothing is out of place, and I’ve tried to incorporate that into a lot of the furniture design and functionality,
The biggest savings here were found in labour: Liz and Matt got hands on with almost everything, and called in favors for the electric work.
To pick a site for the buildings, Matt used his drone to scan the site and then Daybreak created a 3D model to test out options for placement.
Liz and Matt had to drill a well to provide water for the property. Wastewater is captured and treated with a gravity-fed septic system that will also serve the main dwelling, when it’s completed.
Cozy!
In the eat-in kitchen, a breakfast nook features original clay tiles and vintage Mart Stam chairs Josie sourced in Berlin. The table was custom designed by Josie and built by Skye Chamberlain. Josie found the painting on ebay; it is signed <span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, &quot;Segoe UI&quot;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &quot;Helvetica Neue&quot;, sans-serif;">Danièle de Courval.</span>
To add texture and personality to her apartment, and cover up the engineered wood floors that were not original to the building, Josie introduced custom room-size rugs to many of the spaces, including in the bedroom. The nightstand is a Pierre Jeanneret Chandigarh high stool, adn the lamp is Marcel Breuer circa 1925. The art is an original Greece travel poster from the Acropolis Museum.
Designer Josie Ford shares her LA apartment with Atticus, her 200-pound Great Dane.
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